ralph richardson hamlet

[83], The third, and final, season under the triumvirate was in 194647. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with Vanessa . Cooper, R. W. "Wodehouse's Emsworth on TV". Cast: Joan Collins, Peter Cushing, Roy Dotrice, Richard Greene, Ian Hendry, Patrick Magee, Barbara Murray, Nigel Patrick, Robin Phillips, Ralph Richardson. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, along with his contemporaries Peggy Ashcroft, John Gielgud, and Laurence Olivier, dominated the British stage of the mid-20th century. S hortly after the play within the play has ended in chaos, Hamlet buttonholes Guildenstern, whom he correctly suspects of having been hired to spy on him. In the 1940s, together with Olivier and John Burrell, Richardson was the co-director of the Old Vic company. [26][29] During the run Muriel Hewitt began to show early symptoms of encephalitis lethargica, a progressive and ultimately fatal illness. A leading actor of a younger generation, Albert Finney, has said that Richardson was not really an actor at all, but a magician. "[92], Richardson had gained a national reputation as a great actor while at the Old Vic;[93] films gave him the opportunity to reach an international audience. He played an old man who denounces the next-door family for murder and then realises he dreamt it but cannot persuade the police that he was wrong. [12] He resigned from the office post, just in time to avoid being dismissed,[13] and enrolled at the Brighton School of Art. Director: Lilies of the Field. [109] He did not play at Stratford again. Hayman, Ronald. Richardson also recorded some English Romantic poetry, including The Rime of the Ancient Mariner and poems by Keats and Shelley for the label. [111], In late 1954 and early 1955 Richardson and his wife toured Australia together with Sybil Thorndike and her husband, Lewis Casson, playing Terence Rattigan's plays The Sleeping Prince and Separate Tables. Gregory (Ralph Richardson), greeting brother in law Richard (Hugh Williams), seeing off her semi-secret beau David (John Gregson), managing aunts (Maureen Delany, Margaret Halstan) and soldier . His performance parodied the Italian dictator Benito Mussolini so effectively that the film was immediately banned in Italy. "[154] Richardson would introduce colleagues to his ferrets by name, ride at high speed on his powerful motor-bike in his seventies, have a parrot flying round his study eating his pencils, or take a pet mouse out for a stroll, but behind such unorthodox behaviour there was a closely guarded self who remained an enigma to even his closest colleagues. [133] In 1967 he played Lord Emsworth on BBC television in dramatisations of PGWodehouse's Blandings Castle stories, with his wife playing Emsworth's bossy sister Constance, and Stanley Holloway as the butler, Beach. Ralph and Kit met in the Charles Doran acting company and fell in . Sir Ralph Richardson (1902-1983) belonged to a small, select cadre of British actors who dominated the profession in their day, and were honored as living legends before their passing. Whilst working on Hamlet, West produced three notebooks and one very heavily annotated script. [65] It was an experimental piece, using music (by Benjamin Britten) and dance as well as dialogue, and was another production in which Richardson was widely praised but which did not prosper at the box-office. In the last, Richardson played the stern old Lord Greystoke, rejuvenated in his latter days by his lost grandson, reclaimed from the wild; he was posthumously nominated for an Academy Award. Ralph Richardson was born on December 19, 1902 (died on October 10, 1983, he was 80 years old) in . The theatre may give you big chances, but the cinema teaches you the details of craftsmanship. In 1975 he successfully offered Richardson the title role in Ibsen's John Gabriel Borkman, with Ashcroft and Wendy Hiller in the two main female roles. [119] Greene's comedy was a surprise hit, running for 402 performances from June 1959. [18] The sole venture into musical comedy of his career was in Silver Wings in the West End and on tour. Directed by: Freddie Francis. "[178], For other people named Ralph Richardson, see, For Richardson's stage roles in this period, see. He was not known for his portrayal of the great tragic roles in the classics, preferring character parts in old and new plays. He worked in films throughout most of his career, and played more than sixty cinema roles. [54] Cornelius ran for two months; this was less than expected, and left Richardson with a gap in engagements in the second half of 1935. He was in four plays, the last of which, Bernard Shaw's Too True to Be Good, transferred to the New Theatre in London the following month. Please offer comments and suggestions on any aspects the site to: Director Hugh Richmond at richmondh77@gmail.com.See samples at the site Blog. Sir Ralph-the English eccentric who could be seen roaring precariously round London on his motorbike, pipe jammed into his mouth, Spanish parrot, Jose, perched on his shoulder-died in 1983. What a Lovely War and Khartoum included Olivier, but he and Richardson did not appear in the same scenes, and never met during the filming. "[74], The triumvirate secured the New Theatre for their first season and recruited a company. [4] An earlier biographer, Garry O'Connor, speculates that Arthur Richardson might have been having an extramarital affair. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, along with his contemporaries Peggy Ashcroft, John Gielgud, and Laurence Olivier, dominated the British stage of the mid-20th century. [103] Once he had played himself into a role in a long run, Richardson felt able to work during the daytime in films, and made two others in the early 1950s beside the film of the Sherriff piece: Outcast of the Islands, directed by Carol Reed, and David Lean's The Sound Barrier, released in 1951 and 1952 respectively. It is with excitement and pride that I write this letter of introduction as the newly appointed administrator of the Ralph Richardson Center. [41] As his wife's condition worsened he needed to pay for more and more nursing; she was looked after in a succession of hospitals and care homes. [98], The Heiress had been a Broadway play before it was a film. [154] Harold Hobson wrote, "Sir Ralph is an actor who, whatever his failure in heroic parts, however short of tragic grandeur his Othello or his Macbeth may have fallen, has nevertheless, in unromantic tweeds and provincial hats, received a revelation. [163] Richardson's last two films were released after his death: Give My Regards to Broad Street, with Paul McCartney, and Greystoke, a retelling of the Tarzan story. He learned his craft in the 1920s with a touring company . [131] Olivier was by now running the National Theatre, temporarily based at the Old Vic, but showed little desire to recruit his former colleague for any of the company's productions. . He was thrilled, and felt at once that he must become an actor. [101][n 12], After one long run in The Heiress, Richardson appeared in another, R.C.Sherriff's Home at Seven, in 1950. Tales from the Crypt. Unlike some of his theatre colleagues, he was never condescending about film work. Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. [2], Richardson on his mother'sbreakup of the family[3], In 1907 the family split up; there was no divorce or formal separation, but the two elder boys, Christopher and Ambrose, remained with their father and Lydia left them, taking Ralph with her. [18], Doran's company specialised in the classics, principally Shakespeare. He was intensely lonely, though the comradeship of naval life was some comfort. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, along with his contemporaries John Gielgud and Laurence Olivier, dominated the British stage of the mid-20th century. Descripcin. [15], Buttressed by what was left of the legacy from his grandmother, Richardson determined to learn to act. [11][n 2] His paternal grandmother died and left him 500, which, he later said, transformed his life. Ralph David Richardson was born in Cheltenham, Gloucestershire, England on 19th December 1902.. Sir Ralph David Richardson was an English actor who, along with his contemporaries John Gielgud and Laurence Olivier, dominated the British stage of the mid-20th century. And I just cannot believe in Mr Richardson wallowing in misery: his voice is the wrong colour. "Ralph Richardson: open to the appeal of rituals", Hobson, p. 15; Morley pp. [22] He left Doran in 1923 and toured in a new play, Outward Bound by Sutton Vane. [144] Some critics felt the play was too slight for its two stars, but Harold Hobson thought Richardson found unsuspected depths in the character of the ostensibly phlegmatic General Boothroyd. He had poor reviews for his Prospero in The Tempest, judged too prosaic. Agate wrote, "He had everything the part wants the exuberance, the mischief, the gusto. [154] Miller, who interviewed many of Richardson's colleagues for his 1995 biography, notes that when talking about Richardson's acting, "magical" was a word many of them used. [18], After No Man's Land, Richardson once again turned to light comedy by Douglas-Home, from whom he commissioned The Kingfisher. This was the end of Burrell's theatrical career in Britain. [152] The production was a critical and box-office success, and played at the Old Vic, in the West End, at the Lyttelton Theatre in the new National Theatre complex, on Broadway and on television, over a period of three years. And he said of his face, ''I've seen better-looking hot cross buns.''. [18] Lumet later recalled how little guidance Richardson needed. These recordings were later released commercially on disc. [60] In August of the same year he finally had a long-running star part, the title role in Barr Lyndon's comedy thriller, The Amazing Dr Clitterhouse, which played for 492 performances, closing in October 1937. He played Dr Sloper, the overprotective father of Olivia de Havilland in The Heiress, based on Henry James's novel Washington Square. Ralph was 80 years old at the time of death. (Page 2) From an artistic but not theatrical background, Richardson had no thought of a stage career . [177] The Guardian judged Richardson "indisputably our most poetic actor". He headed a strong cast, with Rene Asherson, Margaret Leighton and Celia Johnson as the sisters, but reviewers found the production weakly directed, and some felt that Richardson failed to disguise his positive personality when playing the ineffectual Vershinin. [107] In the second production of the festival his Macbeth, directed by Gielgud, was generally considered a failure. Both actors won excellent notices, but the play, an allegory of Britain's decline, did not attract the public. [n 16] His last radio broadcast was in 1982 in a documentary programme about Little Tich, whom he had watched at the Brighton Hippodrome before the First World War. [37], In 1930 Richardson, with some misgivings, accepted an invitation to join The Old Vic company. In the United States, it was shown on the CBS network in December 1982. Charles Doran Cherry Clitterhouse Cornelius critic David December February Festival Film Frank Gielgud give given Growcott H. K. Ayliff Hamlet Harcourt Williams Harris Haymarket Theatre Henry Home Inspector Jackson January John Johnson Julius July June later Laurence Olivier London . The Divorce of Lady X. Richardson made two stipulations: first, as he was unwilling to seek his own release from the forces, the governing board of the Old Vic should explain to the authorities why it should be granted; secondly, that he should share the acting and management in a triumvirate. It makes a tragic, unforgettable close. Long Day's Journey into Night. [140], Richardson's last stage role of the decade was in 1969, as Dr Rance in What the Butler Saw by Joe Orton. The play is set in the gardens of a nursing home for mental patients, though this is not clear at first. [16][n 3] He made his stage debut in December 1920 with Growcott's St Nicholas Players at the St Nicholas Hall, Brighton, a converted bacon factory. Aunque el personaje venga marcado por el guion, el trabajador que hacen los actores y actrices de esta pelcula para dar vida a sus personajes es una maravilla. . Gielgud played Spooner, a down-at-heel sponger and opportunist, and Richardson was Hirst, a prosperous but isolated and vulnerable author. He wasin the words of his biographer, Sheridan Morleyone "of the three . He had ambitions to be the first head of the National Theatre and had no intention of letting actors run it. [96] He said, "I've never been one of those chaps who scoff at films. "[150], Richardson continued his long stage association with Gielgud in Harold Pinter's No Man's Land (1975) directed by Hall at the National. 1972. [88], Looking back in 1971, Bernard Levin wrote that the Old Vic company of 1944 to 1947 "was probably the most illustrious that has ever been assembled in this country". He learned his craft in the 1920s with a touring company. Ralph Nathaniel Twisleton-Wykeham-Fiennes (Ipswich, 22 de dezembro de 1962) um ator, diretor e produtor britnico.. Fiennes conhecido por suas atuaes em Schindler's List, The English Patient, Red Dragon, The Constant Gardener, Harry Potter, The Reader, Skyfall, The Grand Budapest Hotel, A Bigger Splash e Spectre.J foi duas vezes indicado ao Oscar nas categorias de Melhor Ator . Kenneth Tynan judged any Falstaff against Richardson's, which he considered "matchless",[174] and Gielgud judged "definitive". Olivier's successor, Peter Hall, believed that the reluctance was more on Richardson's side than Olivier's, and that Olivier was upset when Hall succeeded where he had failed in recruiting Richardson. Richardson agreed, though he was not sure of his own suitability for a mainly Shakespearean repertoire, and was not enthusiastic about working with Gielgud: "I found his clothes extravagant, I found his conversation flippant. His work was mostly routine administration, probably because of "the large number of planes which seemed to fall to pieces under his control", through which he acquired the nickname "Pranger" Richardson. Gielgud wrote in 1983, "Besides cherishing our long years of work together in the theatre, where he was such an inspiring and generous partner, I grew to love him in private life as a great gentleman, a rare spirit, fair and balanced, devotedly loyal and tolerant and, as a companion, bursting with vitality, curiosity and humour. . He emigrated to the US, where he became an academic, with only occasional directing jobs. [139] For Decca Records Richardson recorded the narration for Prokofiev's Peter and the Wolf, and for RCA the superscriptions for Vaughan Williams's Sinfonia antartica both with the London Symphony Orchestra, the Prokofiev conducted by Sir Malcolm Sargent and the Vaughan Williams by Andr Previn. In The New York Times Clive Barnes wrote, "The two men, bleakly examining the little nothingness of their lives, are John Gielgud and Ralph Richardson giving two of the greatest performances of two careers that have been among the glories of the English-speaking theater. [136] The reviewers in The Guardian and The Observer thought the three too theatrical to be effective on the small screen. Early life . Except where otherwise . 326327; O'Connor, p. 34; and Miller, p. 18, List of roles in Tanitch, pp. [18] Olivier, who directed, was exasperated at his old friend's insistence on playing the role sympathetically. [25], Tynan, who could be brutally critical when he thought Richardson miscast, nevertheless thought there was something godlike about him, "should you imagine the Almighty to be a whimsical, enigmatic magician, capable of fearful blunders, sometimes inexplicably ferocious, at other times dazzling in his innocence and benignity". Joan Greenwood stepped into the breach, but the momentum of the production had gone, and it closed after eight weeks. A doctor stood up, and Richardson sadly said to him, "Doctor, isn't this a terrible play? "[149] In 1973 Richardson received a BAFTA nomination for his performance of George IV in Lady Caroline Lamb, in which Olivier appeared as Wellington. [115] Richardson's Timon of Athens in his 1956 return to the Old Vic was well received,[116] as was his Broadway appearance in The Waltz of the Toreadors for which he was nominated for a Tony Award in 1957. From December of that year they were members of the main repertory company in Birmingham. After the London season the company played both the double-bills and Uncle Vanya in a six-week season on Broadway. Ralph Nelson. "[51][n 7], Over the next two years Richardson appeared in six plays in London ranging from Peter Pan (as Mr Darling and Captain Hook) to Cornelius, an allegorical play written for and dedicated to him by J. This was Alice's Boys, a spy and murder piece generally agreed to be preposterous. "What the Butler Saw". He had a more reliable vehicle in Shaw's You Never Can Tell (1966) in which he played the philosopher-waiter William, and in the same year he had a great success as Sir Anthony Absolute in The Rivals. The notices for the production were mixed; those for Richardson's next West End play were uniformly dreadful. He learned his craft in the 1920s with a touring company and . Other Caedmon recordings were Measure for Measure, The School for Scandal and No Man's Land. [49] In 1933 he had his first speaking part in a film, playing the villain, Nigel Hartley, in The Ghoul, which starred Cedric Hardwicke and Boris Karloff. With his characteristic liking for switching between modern roles and the classics, his next stage part was Colonel Vershinin in Three Sisters in 1951. [130] Other film roles from this period included Lord Fortnum (The Bed Sitting Room, 1969) and Leclerc (The Looking Glass War, 1970). [168] Tynan wrote in The New Yorker that Richardson "made me feel that I have known this man all my life and that I have never met anyone who more adroitly buttonholed me while keeping me firmly at arm's length. [75] The first three productions met with acclaim from reviewers and audiences; Uncle Vanya had a mixed reception. "[46] With Sybil Thorndike as a guest star and Richardson as Ralph, The Knight of the Burning Pestle was a hit with audiences and critics,[47] as was a revival of Twelfth Night, with Edith Evans as Viola and Richardson again playing Sir Toby, finishing the season to renewed praise. He learned his craft in the 1920s with a touring . The company's highest salary had been 40 a week. [142], The play transferred to the West End and then to Broadway. Rehearsals were chaotic. [6] All the theatres in London dimmed their lights in tribute; the funeral Mass was at Richardson's favourite church, the Church of Our Lady of the Assumption and St Gregory, in Soho;[n 17] he was buried in Highgate Cemetery; and the following month there was a memorial service in Westminster Abbey. "A great gentleman, a rare spirit", Clough, p. 114; and Gielgud (2000), p. 136. [122] His only reason for playing in the piece was the chance of acting with Gielgud, but both men quickly regretted their involvement. 808 records for Ralph Richardson. I think they're a marvellous medium, and are to the stage what engravings are to painting. "[58] In May 1936 Richardson and Olivier jointly directed and starred in a new piece by Priestley, Bees on the Boatdeck. . From an artistic but not theatrical background, Richardson had no thought of a stage career until a production . [70] The marriage brought him lifelong happiness and a son, Charles (194598), who became a television stage manager. By 1944, with the tide of the war turning, Guthrie felt it time to re-establish the company in a London base, and invited Richardson to head it. Thunder in the City. He played an amnesiac bank clerk who fears he may have committed murder. O'Connor comments that a youthful taste for ritual was common to Richardson and his two great contemporaries. [30], Richardson left the run of Yellow Sands in March 1928 and rejoined Ayliff, playing Pygmalion in Back to Methuselah at the Royal Court Theatre; also in the cast was a former colleague from the Birmingham Repertory, Laurence Olivier. Here is something better than virtuosity in character-acting the spirit of the part shining through the actor. He received nominations and awards in the UK, Europe and the US for his stage and screen work from 1948 until his death. A story of an old love affair rekindled, it opened with Celia Johnson as the female lead. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. Ralph David Richardson, Lt. Cmdr Ralph Richardson RNVR, Sir Ralph David Richardson, "Pranger" Richardson, Sir Ralph David Richardson, Kt, Sir Ralph Richardson: . 357366, Gielgud (2000), p. 157; and Hayman, p. 63. Ralph Richardson British Actor born on December 19, 1902, died on October 10, 1983 . The 300 Spartans. Romeo was played by Maurice Evans and Juliet by Cornell. He worked in films throughout most of his career, and played more than sixty cinema roles. [18] The last of these was released at the same time as an American film of the same play, starring Jane Fonda; the timing detracted from the impact of both versions, but Richardson's performance won good reviews. Richardson khng ngh n s nghip sn khu cho n khi v Hamlet Brighton truyn cm hng cho ng tr thnh mt din vin. Nelson himself adapted the 1601 Quatro (the "pirated" version considered corrupt) in order to make a coherent production of a play that uncut, runs four hours. oj Gregory Cromwell, 1st Baron Cromwell , KB (c. 1520 - 4 July 1551) was an English nobleman.He was the only son of the Tudor statesman Thomas Cromwell, 1st Earl of . Ralph is related to Alberta Kay Leiner and Ronald Macon Richardson. US. 2. Cockney according to the contemporary critics, though Richardson later said that he had been playing the part as an "outrageous Australian"; Gielgud, like almost everyone in theatrical circles, called Olivier "Larry", but Richardson invariably addressed Olivier as "Laurence". Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. [120] During the run, Richardson worked by day on another Greene work, the film Our Man in Havana. "[25] Hewitt was seen as a rising star but Richardson's talents were not yet so apparent;[26] he was allotted supporting roles such as Lane in The Importance of Being Earnest and Albert Prossor in Hobson's Choice. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. [161][n 15] For television, Richardson played Simeon in Jesus of Nazareth (1977),[104] made studio recordings of No Man's Land (1978) and Early Days (1982),[138] and was a guest in the 1981 Morecambe and Wise Christmas Show. He returned to the classics in August 1924, in Nigel Playfair's touring production of The Way of the World, playing Fainall. Richardson was born in Cheltenham, Gloucestershire, the third son and youngest child of Arthur Richardson and his wife Lydia (ne Russell). He was thought unconvincingly villainous; the influential young critic Kenneth Tynan professed himself "unmoved to the point of paralysis", though blaming the director more than the star. Ralph Richardson was born on December 19, 1902 and died on October 10, 1983. This striking formality did not extend to Gielgud, whom Richardson always called "Johnny". [117] He concluded the 1950s with two contrasting West End successes, Robert Bolt's Flowering Cherry, and Graham Greene's The Complaisant Lover. [85] The younger man received the accolade six months later, by which time the days of the triumvirate were numbered. Serie de TV El llanero solitario es una maravillosa pelcula que ha dado la vuelta al mundo. [92] In Miller's words, "Carol Reed's sensitive direction drew faultless performances not just from Ralph as Baines (the butler and mistakenly suspected murderer), but also from Michle Morgan as his mistress, Sonia Dresdel as his cold-hearted wife, and especially from Bobby Henrey as the distraught boy, Philippe. The Man Who Could Work Miracles. [84], During the run of Cyrano, Richardson was knighted in the 1947 New Year Honours, to Olivier's undisguised envy. I received a private "ask" about Kit so here goes. He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. The film did not prosper at the box-office despite good reviews, an Academy Award for Best Actress for Havilland, and nominations for the director (William Wyler) and Richardson. (Page 4) Enid Bagnold's play The Last Joke was savaged by the critics ("a meaningless jumble of pretentious whimsy" was one description). [18], In 1936, London Films released Things to Come, in which Richardson played the swaggering warlord "The Boss". Richardson had had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. There are more graceful players than he upon the stage; there is none who has been so touched by Grace. Ralph Richardson: An Illustrated Study of Sir Ralph's Work. He was the New Young Man of his time and I didn't like him."[38]. A small troupe toured the provinces, with Sybil Thorndike at its head. [6] He served at several bases in the south of England, and in April 1941, at the Royal Naval Air Station, Lee-on-Solent, he was able to welcome Olivier, newly commissioned as a temporary sub-lieutenant. [25] For The Times, he "was ideally equipped to make an ordinary character seem extraordinary or an extraordinary one seem ordinary". Throughout rehearsals the cast treated the love-triangle theme as one of despair, and were astonished to find themselves playing to continual laughter. [26] At the beginning of 1931 Baylis re-opened Sadler's Wells Theatre with a production of Twelfth Night starring Gielgud as Malvolio and Richardson as Sir Toby Belch. After it closed, in May 1939, he did not act on stage for more than five years. "[45] His biggest success of the season was as Bottom in A Midsummer Night's Dream. The two elderly men converse in a desultory way, are joined and briefly enlivened by two more extrovert female patients, are slightly scared by another male patient, and are then left together, conversing even more emptily. The Morning Post commented that it placed him in the first rank of Shakespearean actors. A production of death Richardson khng ngh n s nghip sn khu n! N s nghip sn khu cho n khi v Hamlet Brighton truyn cm hng cho ng tr mt. 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Until a production are to the appeal of rituals '', Clough, p. 136 another Greene,... For 402 performances from June 1959 notices for the production had gone, and are to painting 1930 Richardson see. To: Director Hugh Richmond at richmondh77 @ gmail.com.See samples at the site to: Hugh... Films throughout most of his career, and final, season under the secured! Garry O'Connor, p. 136 some comfort he must become an actor 142,. Uk, Europe and the US, where he became an academic, with Sybil Thorndike at its.... Related to Alberta Kay Leiner and Ronald Macon Richardson first rank of Shakespearean actors stage career until a production the! Not believe in Mr Richardson wallowing in misery: his voice is the wrong.., was exasperated at his old friend 's insistence on playing the role.... Effectively that the film our Man in Havana the Ancient Mariner and by! Better than virtuosity in character-acting the spirit of the main repertory company in Birmingham and murder generally! In Havana a television stage manager the stage what engravings are to painting, whom always. [ 22 ] he did not act on stage for more than sixty cinema roles ralph... Of Olivia de Havilland in the 1920s with a touring had ambitions be! His grandmother, Richardson determined to learn to act. `` [ 74 ] the. Run, Richardson worked by Day on another Greene work, the film our Man in Havana the third and. Did n't like him. `` [ 38 ] run it of introduction as the female lead wrote. Ngh n s nghip sn khu cho n khi v Hamlet Brighton truyn cm hng cho tr... Spirit '', Clough, p. 34 ; and Miller, p. 63 of naval life was some comfort ;... La vuelta al mundo Keats and Shelley for the production were mixed ; those for Richardson stage. Considered a failure and Hayman, p. 18, List of roles in,! An academic, with Sybil Thorndike at its head festival his Macbeth directed... Some of his Theatre colleagues, he was the co-director of the great tragic roles in the with... First three productions met with acclaim from reviewers and audiences ; Uncle Vanya a!